https://www.janegleson.com/new-folder daily 0.75 2020-07-30 https://www.janegleson.com/963327201704 daily 1.0 2020-10-06 https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/5f0b9dcb60bdf3313357290a/5f32fd0fc7e66d4666f9112a/1602001677029/DARK+END+POSTER_white.jpg FILMS https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/5f0b9dcb60bdf3313357290a/5f32fe2290eb9d246e1af32d/1602001677053/LITTLE+SISTER+POSTER_white.jpg FILMS https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/5f0b9dcb60bdf3313357290a/5f32fd3d5ad02c690d3196b6/1602001677038/LS+CARD_white.jpg FILMS https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/5f0b9dcb60bdf3313357290a/5f32fd32f9fc8d0712b6da47/1602001677035/Blue+Diner+poster_white.jpg FILMS https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/5f0b9dcb60bdf3313357290a/5f32fd8f57b591451341554f/1602001677043/SHOCK+CARD_white.jpg FILMS https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/5f0b9dcb60bdf3313357290a/5f32fdb7a8a0fb2c87a749ea/1602001677046/BIG+TIME+POSTER_white.jpg FILMS https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/5f0b9dcb60bdf3313357290a/5f7ce2f7b2bbc50e5cf3f36a/1602020100625/Zero_For_BU_White+Border.jpg FILMS https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/5f0b9dcb60bdf3313357290a/5f7ce2f3044bfc7f9d90dc65/1602020090070/A+MANUAL+ON+DIRECTING_WHITE+BORDER.jpg FILMS https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/5f0b9dcb60bdf3313357290a/5f32fdda77e69d40e0bb27b2/1602001677049/BillyPoster_white.jpg FILMS https://www.janegleson.com/about daily 0.75 2020-09-07 https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f430e1769f0cd7cfb00c2d1/1598230054450/HELP.jpg ABOUT - about the filmmaker Jan Egleson's trilogy of films starring Boston's working class residents in the late 70's and early 80's have been hailed as innovative pioneering works of Independent Filmmaking. Billy in the Lowlands, The Dark End of the Street and The Tender Age are portraits that capture the issues of the time but remain pressingly current. Jan Egleson began writing and directing in 1980, and was at the forefront of the development of the independent film movement. His credits are wide ranging, with numerous films completed for the PBS series American Playhouse. These include his early award-winning trilogy of films about working-class adolescents in Boston : Billy in the Lowlands, The Dark End of the Street and The Tender Age, which starred John Savage and Kevin Bacon as well as young men and women from the projects of Boston; Roanoak, a critically acclaimed mini-series which was one of the first dramas about Native Americans to use the Ojibwa language; Lemon Sky, an adaptation of Lanford Wilson's play starring Kevin Bacon and Kyra Sedgwick, which was awarded the Special Jury Prize at the Sundance Film Festival, and Big Time. He then directed the acclaimed feature A Shock to the System starring Michael Caine. His other credits include television pilots and movies for ABC, CBS and Fox Networks: among them Gang of Four, Against The Law, The Last Hit, Justice in a Small Town and Coyote Waits. With producer and co-writer Natatcha Estébanez, he directed the Alma Award winning bi-lingual feature The Blue Diner. He is currently an Associate Professor of the Practice and head of the graduate Cinema & Media Production Program at Boston University. In addition he is the author of three books; ZERO, a Graphic Memoir, and MWD, a graphic novel, and, a MANUAL ON DIRECTING. Jan is currently an Associate Professor of the Practice at the Boston University School of Film and Television, where he runs the Graduate Program in Cinema and Media Production. https://www.janegleson.com/contact daily 0.75 2020-07-15 https://www.janegleson.com/new-page-1 daily 0.75 2020-11-29 https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f23415fafef1f3e886db103/1596146029862/KITCHEN+1+LS.jpg LEMON SKY - “UNDER THE ACUTELY visual eye of director jan egleson, lemon sky emerges as a wide but piercing look into a family unit from within by the rages and demons of its patriarchal head” ‘Lemon Sky’ , by Duane Byrdge (Variety) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f233c284ac7b82195f54c71/1596145751199/kevin_bar_BW.jpg LEMON SKY - “Alan is played by Kevin Bacon who, under Jan Egleson's keenly intelligent direction, makes all of this look deceptively simple” TV Reviews; Lanford Wilson’s ‘Lemon Sky,’ on Channel 13, by John J O’Connor (The New York Times) https://www.janegleson.com/reviews daily 0.75 2020-12-01 https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f33039b255ed52717af0646/1597178798866/LITTLE+SISTER+POSTER_white.jpg THE BOSTON TRILOGY https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f3303691ee7bc1ae0614506/1597178755161/BillyPoster_white.jpg THE BOSTON TRILOGY https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f3303875405c87b86e4f316/1597178774184/DARK+END+POSTER_white.jpg THE BOSTON TRILOGY https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f20ac8042434d08c646b85c/1595977186225/littlesister.jpg THE BOSTON TRILOGY - “I HAD SEEN A LOT OF KITCHEN-SINK DRAMA. IT WAS A MOVEMENT IN BRITAIN. THEY WERE MAKING A LOT OF FILMS ABOUT WORKING-CLASS PEOPLE, AND I REMEMBER CONSTANTLY THINKING ‘GEE, NOBODY DOES THAT IN AMERICA. I WONDER IF WE CAN DO THAT.” The Early Days Of Boston/Cambridge Cinema: An Interview With Director Jan Egleson, by Vincent Weisberg (Hidden Films) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f2336513abe0b27ed72b4cc/1596143280380/Henry+Tomaszweski+2.jpg THE BOSTON TRILOGY - “Put bluntly, the chances that Hollywood ever would have made Boston ‘neighborhood movies’ like Mystic River or The Departed were it not for Billy in the Lowlands—a movie few people are even aware of today—are doubtful” From Mystery Street to The Departed and Beyond, by Paul Shermon (Big Screen Boston) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f2339978523a103ce0d2976/1599758001980/Ben+on+the+Sofa.jpg THE BOSTON TRILOGY - “Mr. Egleson's style is straightforward, direct, without fancy affectations and frequently informed by the kind of humor that usually eludes film makers in this genre. Like Donna, ''The Dark End of the Street'' is neither falsely bleak nor foolishly optimistic. It is resolute and it keeps its eyes open” The Dark End Of The Street, by Vincent Canby (The New York Times) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f233a91af8e3f2869f69423/1596144280107/Little+Sister+1982+Boston+DAMiller+2314.jpg THE BOSTON TRILOGY - “Jan EGLESON knows too much to argue or to judge. nor does he editorialize with flashy montages and camera angles. this is the art that does not conceal art so much as ignore it” Cinema: Three Orphans, by Richard Corliss (TIME) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f23373c55ffe45318e1a1c1/1596143429415/Paul+Benedict+-+Henry+Tomaszweski+-+Jan+Egleson.jpg THE BOSTON TRILOGY - “Billy in the Lowlands knows how life in the land of the blue blue collar looks. It catches the tempo of the speech, as well as the background sounds of traffic, whistles, transistor radios. Best of all, the movie appreciates the people without bending them into melodramatic poses" Film: Billy In the Lowlands, by Vincent Canby (The New York Times) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f233ff48660d51147a616c0/1596145665503/Little+Sister+1982+DAMiller+2345.jpg THE BOSTON TRILOGY - “What distinguishes the little sister, however, is an attention to detail and a commitment to quality at every level. in acting, directing, writing, lighting and even music” The Best Show of the Week, by Jack Thomas https://www.janegleson.com/a-shock-to-the-system daily 0.75 2020-11-29 https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f2346f8670db970f3b0b7ec/1596147457706/adrian-mia_makeup2_BW.jpg BIG TIME - “BIG TIME WILL BE A STRETCH FOR AMERICAN TV AUDIENCES MUCH AS JEAN-LUC GODARD’S FILMS OF THE ‘60S WERE A STRECH FOR TICKET BUYERS OF THE DAY” Big Time , by Kimm (Variety) https://www.janegleson.com/blue-diner daily 0.75 2020-12-01 https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f3312251838ef0259c78e8a/1599758412581/The+Singer.jpg THE BLUE DINER - “THE BLUE DINER is a jewel… Delicious… Touches your heart and your brain…A rare portrait of Latinos, seldom seen on films today” (Exito / The Chicago Tribune) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f3312ae49b3e5728cdc34de/1599758433747/Vika+2.jpg THE BLUE DINER - “THE BLUE DINER has an international, multicultural appeal while being firmly planted in local soil…a very smart story…BLUE DINER is a sophisticated movie” (The Boston Globe) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f3313398cf6c902e08d8168/1599758481842/Screen+Shot+2020-08-11+at+5.52.47+PM.png THE BLUE DINER - “A most accomplished film…with haunting performances by Lisa Vidal and Miriam Colón… THE BLUE DINER digs deep into the Boricua subconcious… while making a case for unity with newer Latin American immigrants” (The Village Voice) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f234a187a3fa424ab6402f2/1599758548502/Tito+%26+Elena.jpg THE BLUE DINER - “Rarely does an American film address multicultural issues in anything other than a cursory, smug way…It’s refreshing, then, to see the true multicultural conflict, wrinkles and all, of Natatcha Estebanez and Jan Egleson’s The Blue Diner” The Blue Diner, by Chris Cooke (NEW ENGLAND FILM) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f3313acbcfae16a42f35872/1599758521347/Aro%2BHa_0387.jpg THE BLUE DINER - “A grown up film about believable characters caught in real-life struggles…it flows with the graceful rhythms of a lilting Spanish love song” (The Orlando Weekly) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f3314228546545a7ceee0a2/1599758576055/Meche++%281%29.jpg THE BLUE DINER - “THE BLUE DINER is colorful as a tropical bird” (The Chicago Reader) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f3314b9510f161d704db718/1599758597049/Screen+Shot+2020-08-11+at+5.59.05+PM.png THE BLUE DINER - “An extraordinary cast…The Blue Diner is daring” (The Boston Phoenix) https://www.janegleson.com/a-shock-to-the-system-1 daily 0.75 2021-01-27 https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f270638d8b4ab33e1f26aa8/1599758281522/Michael+Caine+%26+Will+Patton05.jpg A SHOCK TO THE SYSTEM - “BECAUSE HE SHOWS UP IN SO MANY FORGETTABLE MOVIES, MICHAEL CAINE IS UNDERAPPRECIATED. BUT A SHOCK TO THE SYSTEM, JAN EGLESON’S SLY, DARK, WITTY SATIRE OF CUTTHROAT CORPORATE POLITICS, WILL SEND CAINE’S STOCK SKYROCKETING AGAIN” Caine in Top Form as Likable Psychotic , by Jay Carr (The Boston Globe) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f27081b025ce82638c4f32e/1599758215078/Jenny+Wright+Elizabeth+McGovern07.jpg A SHOCK TO THE SYSTEM - "DIRECTED BY THE VETERAN INDEPENDENT FILMMAKER JAN EGLESON, IT’S A HEAD-ON SATIRE OF GREED AND POWER THAT’S ALSO ONE OF MOST ENTICINGLY INTIMATE PORTRAITS OF AMERICAN CORPORATE LIFE EVER PUT ON SCREEN” A Shock To The System, by Owen Gleiberman (Entertainment Weekly) https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f2704bdd12ca53a1d882dcc/1599758325309/Michael+Caine+%26+George+03.jpg A SHOCK TO THE SYSTEM - “EGLESON, WHO HAS MADE FILMS FOR PUBLIC AND COMMERCIAL TELEVISION (INCLUDING THE DARK END OF THE STREET, WHICH I PRAISED HERE IN 1981) HAS CAPTURED, IN HIS FIRST THEATRICAL FEATURE, A DISTINCTIVE MANHATTAN UNEASE” Murder, Inc. by David Denby (New York Magazine) https://www.janegleson.com/new-page daily 0.75 2020-10-07 https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f2718a34ac44c5223a672cb/1599697023444/Zero_For_BU+opener.jpg ABOUT - ZERO AN INTERACTIVE GRAPHIC MEMOIR In this riveting story of self-discovery and emotional transformation, author Jan Egleson and illustrator Kseniya Galper have combined text and image to create an innovative art form that ushers in a new era in publishing for serious literature. “ZERO” is the powerful story of a father-son relationship, the inner world of an artist, and a family transformed by the devastation of war. In this magical blend of writing, illustration, and film, Mr. Egleson recounts how the discovery of his father’s wartime experiences and PTSD, long hidden, changed his life. Making use of recently discovered journals and artwork the book pieces together fragments of his father's life as a muralist in Mexico in the 1930s, to a traumatic experience aboard a stricken aircraft carrier in the South Pacific. ZERO is finally about the struggle to synthesize these experiences, and by creating a work of art, to heal and transform. https://www.janegleson.com/a-manual-on-directing daily 0.75 2021-01-27 https://static1.squarespace.com/static/5f0b9bc72f73d10e7caa2a2c/t/5f3b0fd52904263de4565b08/1611715218072/Director+copy.jpg A MANUAL ON DIRECTING - A MANUAL ON DIRECTING Most books about film directing focus on the many technical aspects of production, on lenses and cameras, and are guides to image size, shots, and angles. This is all useful and undeniably practical. Without a working knowledge of these basic elements no director can function effectively in such a highly technical medium. But there is a deeper understanding of the nature of directing that is essential for anyone who sets out to make a film. Specifically it is an examination of the craft of cinematic story telling. This book is addressed to the director, but hopefully these techniques will shed light not only on what the director is doing, but also help those who work around her to understand and more fully enter into the process of creating a film. It is the task of the artist to present the grand vision, but the big picture is made up of the specific details. The most nuanced effect derives from the most particular perceptions. This book is a catalogue of the building blocks of that vision as the work moves from intuition to well considered choices. 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